
Riot Grrl is a feminist movement that originated from the Seattle underground music scene, that gained popularity in the 1990s. It incorporates the DIY ethos of punk and indie and was orginially created to provide a voice, support and community for females within those scenes. Fanzines have played an important role in the development of riot grrl (well obvisouly, considering there is actually a zine called "Riot Grrrl")The Riot Grrl movement is believed to have started with the protests against the ruling against abortions and the Mount Pleasant race riots both of which happened in 1991.
Although the members of the riot grrl movement were involved in the punk scene they often felt left out - this is also another reason as to why the movement was started. As Kathleen Hanna. member Bikini Kill (which has a male member) which is considered to be one of the leading riot grrl bands and co-founder of the fanzine by the same title said ...
"I feel completely left out of the realm of everything that is so important to me. And I know that this is partly because punk rock is for and by boys mostly and partly because punk rock of this generation is coming of age in a time of mindless career-goal bands" (http://en.wikipedia.org/wiki/Riot_Grrrl)
Another band that has influenced the riot grrl movement and that embodies its mentality is Bratmobile, they created the zine "girl Germs" and also contributed to "Riot Grrrl"
The International Pop Undreground Convention in August 1991, a function which celebrated the underground music scene, saw the transformation of the music industry begin - the bill for the first night was all female - girl power had begun.
Riot Grrl is focused on creating a community for women who appreciate the DIY mentality - they creaet their own music and zines and participate in political activism.
Although the movement was gaining international interest, mainly thanks to the mainstreams interest in the underground music from Seattle at the time, the movement remained pretty much independent - people still made their own zines, their own music with independent labels etc.
The riot grrl zines dealt with issues that primarily effect females - they provided a voice and a space for the articulation of concerns such as sexual abuse, anorexia and bulimia, stalking etc. Conventions, such as Lady Fest which is still active, were held for females to get together and discuss stuff.

You can access the riot grrl zines through wikipedia and the Riot Grrl Press.
This quote from Ann Magnuson pretty much sums up the importance that zines have had on not only the riot grrl movement but for the formation of idenity for females in general ...
"When I think of how much benefit my teenage self could have gained from the multitude of zines that have proliferated over the past decade, I weep for all the lost potential. Except for Joan of Arc and Anne Frank, the thoughts of teenage girls have rarely been taken seriously." (http://en.wikipedia.org/wiki/Riot_Grrrl)
Like punk, the riot grrl movement also suffered from media attention and its misuse of the riot grrl term - the media labelled pretty much any band that feature some aspect of the riot grrl mentality as an example of the movement - this created disgust amongst those who were aware of the true ethos of the movement. The mis-representation by the media contributed to the decline of riot grrl - some people still live by it today and its ethos are still evident within the underground punk and indie music scene.





